The 5 Best Films of Every Year Ever features experts and enthusiasts and, well, their favorite films of every year ever. Host Tristan Ettleman sits down with a new guest every week to dive into the history and beauty of some of the best movies to ever come out of the cinematic medium.
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Tristan Ettleman Podcasts
From changes in distribution and exhibition to formal firsts (with caveats), 1906 carries just a few pieces of oft-cited film history. But this season, on a year that is still very much part of cinema's earliest growth spurts, illustrates the heterogenous landscape of global filmmaking at the time and the thrills it can still offer today. Films men…
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While the “nickelodeon boom” began in the United States and the global film industry was standardizing certain production elements, many of the conversations for this 1905 season turned to how wide the modes of moviemaking still were, resulting in strange yet beautiful experiments. As this year’s five guests have shown, cinema in even in an apparen…
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Film historian and author Mary Mallory has written five books about cinematic yesteryear. With her research of past traditions and underappreciated figures in mind, Mary selects some films that reflect the intermediality of early film and its basis in stage tricks, poetry, and even postcards, while others demonstrate new cinematic inventions. Mary’…
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Chris O’Rourke, Associate Professor of Film and Television Studies at the University of Warwick, explores the early history of film acting, stardom and fandom in Britain up to the end of the silent era in his book Acting for the Silent Screen: Film Actors and Aspiration between the Wars. While film acting wasn’t quite a specific discipline in 1905,…
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Scott Curtis, associate professor of radio/film/television and communication at Northwestern University, has published extensively on the use of moving images in scientific and medical research, education, and communication. That particular interest certainly informs most of his picks, but the conversation also includes the spectacle of sound and f…
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Shawn Hall brings his love of silent films to new audiences through his Shawn Toks Silents TikTok account, where he is currently working his way through reviewing each movie on Silent Era’s Top 100 Silent Movies List. He stretches back a little bit further than most silent film enthusiasts, however, by exploring 1905 through films of “serious” topi…
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Dan Willard’s interest in film was fostered by a viewing of Eraserhead in 1977 and a number of UCLA film classes. In more recent years and reflecting the depths of his cinephilia, that has manifested in his extensive Films by the Year site and YouTube channel, which have been linked to many times in this very show’s notes (in this case, ranging fro…
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The year 1905 pops up early in many film histories to address the start of the "nickelodeon era." As past seasons have shown, the Harris brothers' Pittsburgh storefront wasn't truly the first space dedicated to showing movies, but it and others shifted the needle in forming the activity of moviegoing. This season and its guests address the unificat…
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This season’s conversations about film in 1904 often turned to the “awkwardness” of finding standout titles and defining the most representative developments in the art, business, and reception of cinema. Nevertheless, this year’s five guests presented exciting threads of potential futures that, in many ways, were resolved into the narrative model …
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Film preservationist Céline Ruivo brings an eye for color and pre-cinema to her five early cinema picks for 1904. From scientific intent to fantasy, and industrialism and modernity in between, she demonstrates how an apparently unmemorable year like 1904 can still provide great insight into the art and technology of cinema at the time. Céline holds…
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Martin L. Johnson, film historian and Associate Professor in English and Comparative Literature at University of North Carolina at Chapel Hill, has literally written the book on local films in the United States. While most of his picks fit into that definition, he also brings comic chases and early filmic nudity into the conversation. Martin is als…
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Dimitrios Latsis, Associate Professor in Digital and Audiovisual Preservation at the University of Alabama, has worked extensively in the fields of American visual culture, early cinema, archival studies, and digital humanities. These interests are brought into the conversation about his five eclectic picks, in addition to some “runner-ups” that pa…
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George Willeman has been the Nitrate Film Vault Leader at the Library of Congress for 41 years. Having been in love with movies as far back as he can remember, George is still constantly amazed at the discoveries found within the Library’s nitrate film collection, and his picks reflect the enthusiasm and intrigue that occur at least weekly in his r…
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Film historian Steve Massa is a particular expert on silent film comedy. His five choices for 1904 certainly reflect that interest, as they feature premises and gags that can still rouse surprise, chuckles, and laughs today. Steve is the author of Lames Brains and Lunatics: The Good, the Bad, and the Forgotten of Silent Comedy and its sequel as wel…
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While 1904 doesn't have an iconic film like the past two seasons have each featured, that doesn't mean it doesn't have its share of worthwhile films and intriguing aspects of film history to explore. From the eve of the nickelodeon boom to expanding narrative ambitions, this season will explore both returning and new threads of the cinematic discou…
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While one particular film was explored in-depth this season, every guest (whether they selected The Great Train Robbery or not) explored lesser known or at least lesser appreciated arenas of cinema in 1903. The myth busting, amateur spotlighting, and spectacle showcasing elements of this season's conversations make the case for the expansion of the…
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Colin Williamson, Assistant Professor in Cinema Studies at University of Oregon, has wide-ranging interests, including animation, special effects, and media archaeology. With these angles and more in mind, he brings a unique perspective and some myth busting to his standout films of 1903. Colin is the author of Hidden in Plain Sight: An Archaeology…
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Film archivist and historian Rob Stone has always been interested in silent film. With his five picks, he charts evolving storytelling capabilities in the medium’s earliest days and the darker side of the fading actuality, mostly as represented by one filmmaker! Rob’s publishing company Split Reel specializes in books and other media highlighting l…
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Pordenone Silent Film Festival director Jay Weissberg has facilitated an array of programs that expand the canonical ideas about what was made in the silent era and what can be appreciated now. With his picks (which he stretches a bit past five with two more must-sees), he showcases international, amateur, and aesthetic ambitions in 1903. Jay also …
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Silent film historian Bruce Calvert has been collecting silent film memorabilia for 30 years, showcased on his site The Silent Film Still Archive. He shares his story of how he came to develop this interest and addresses how supporting materials can help us understand how incomplete, missing, and even fully surviving movies were made, seen, and rec…
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Neil Brand has been a silent film accompanist for nearly 40 years. He shares his musical expertise, which also includes composing new scores for silent film re-releases, while exploring exciting threads of fantasy, comedy, and violence in his five picks. Neil regularly plays at the Barbican and BFI National Film Theatres in London and film festival…
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The law (at least in America) had a significant effect on the development of film genres, aesthetics, production, and viewing practices from 1903 on. The world over, tightly run studios were becoming more and more prevalent, shifting story films further and further into the spotlight, and dedicated filmviewing spaces were cropping up. It's difficul…
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It's not like the established actuality suddenly evaporated in 1902, but as guests have pointed out throughout this season, a diversification of film topics, aesthetics, and technology fostered new genres and production styles. In this season finale, Tristan briefly summarizes the common threads of his conversations and puts together the most selec…
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1902 E6 - Tamara Shvediuk and Federico Striuli
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Tristan welcomes two guests to one episode for the first time: the husband-and-wife film historian, archivist, and curator duo of Tamara Shvediuk and Federico Striuli. The pair showcase spectacle with their five picks, from the féerie to chronicles of a significant political change. Tamara has curated film programs for several events, including the…
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Vanessa Toulmin, Chair in Early Film and Popular Entertainment at the University of Sheffield, is an expert on variety theater, circus, travelling exhibitions, fairgrounds, and other aspects of the history of show business. She brings this expertise to her five picks from 1902, ranging from her vast experience with the Mitchell & Kenyon films to an…
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Lea Stans has been writing about the silent era on her blog Silent-ology since 2014, informed by her college interests and even younger fascinations with the obscure. Her 1902 picks reflect the increasing diversity of the worldwide filmic output of the year, from the French féerie genre to actuality chronicles of downtown Indianapolis and northern …
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Karl Wratschko, curator, filmmaker, and artist, has been working as a film curator for the Il Cinema Ritrovato festival in Bologna since 2016. He brings his experience of programming screenings based in specific years, not unlike this very show (he’s even done 1902 for the festival!), to craft an abridged program you might have seen in that year. K…
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Film scholar and preservationist Clara Auclair and Tristan talk quite a bit about comedy and tricks, those originating from the stage and those that could only come from the magic of filmic technology. That conversation leads into discussing the phenomenon of early recreations of real events…or are they “fakes!?” Clara teaches media studies at DIS …
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A Trip to the Moon looms large in looking at the picture of 1902 in film. Georges Méliès' masterpiece is inarguably the most famous film of the early cinema period. But as will be explored by this season's guests, its part in reshaping the aesthetics, genres, and industrialization of the global film community exists alongside another version of fil…
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Propaganda, comedy, tricks; these approaches may seem to obscure truths. That is certainly their potential in film, but in this 1901 season finale, Tristan reflects on the through lines of his guests' picks and the conversations that stemmed from them. Also, he shares his personal five selections for 1901 and puts together the collective list of gu…
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All but one of the picks from Lawrence Napper, senior lecturer in Film Studies at King’s College London, come from the huge trove of discovered Mitchell & Kenyon films. These fascinating records of everyday life in Victorian and Edwardian England and the United Kingdom lead to an array of exciting tangents, while Lawrence also uses his one fictiona…
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Tristan has been the grateful viewer of many an eye-popping restoration from Eye Filmmuseum in Amsterdam on YouTube. He expresses his thanks to Elif Rongen-Kaynakçi, Curator of Silent Film at Eye, before the two mostly discuss comedy films, with the broad genre nevertheless inspiring many different tangents from sexuality to the beginning of the fi…
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Grazia Ingravalle, Senior Lecturer/Associate Professor in Film at Queen Mary University of London, focuses her 1901 picks in relation to colonialism. She creatively tackles the premise of this show by talking not of the “best films” of the year, but “quite the opposite,” in her own words, to illustrate the effect of the medium at this time and beyo…
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Pamela Hutchinson's Silent London has been a great resource for Tristan since even before he started the written essay series that gives this podcast its name about seven years ago. Now, she joins the show to provide some context yet again, especially for how 1901 filmmakers weren't marching neatly toward narrative (they were tiptoeing toward it, d…
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Film historian Ian Christie rewires Tristan’s brain a bit in this episode, as Ian draws parallels between the early film “adaptation” and the tableaux painting, both of which benefit from contemporary shared pathos. During the discussion of his five picks, among other things, he also provides insight into the Anglo-Boer War and the actuality genre’…
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About five years into film's existence as a publicly available invention and art form, 1901 offers up a number of exciting threads for where the medium did and did not go. Some aspects may appear familiar: a form of a "close-up," attempts at adapting "narrative," and the use of the movies as a propaganda tool. But as guests will point out, the inte…
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Although this season has emphasized that the sudden transition into the 20th century didn't magically advance the still very young art form of cinema, the films selected by the guests for the 1900 edition of The 5 Best Films of Every Year Ever represent exciting developments. Color, sound, trickery, medicine, animation, and the ever-present regret …
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The affinity Enri Ceballos has for dance is intensely represented by his picks for 1900, four of which feature the sheer joy of human movement. Both in front of and behind the screen, these films (all French and helmed by women!) also represent the diversity of gender and sexuality at play, along with sound and color technologies, in early cinema's…
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Considering Carolyn Jacobs' research focuses on the cultural history of media, especially in relation to histories of medicine, science, and public health, it makes sense that she examines her five picks through those lenses. From kissing panics to women being barred from performing surgery, the medical view of the discussed films brings new angles…
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From misattribution to missing sound, this conversation with Frank Kessler has a bit of lamentation for the lost works and context of early cinema. But there's also some celebration that we can view any films from the turn of the century (and earlier), including his picks that include trickery and evolving film language. Frank is professor in media…
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Matthew Solomon has taught film history and theory at the University of Michigan since 2011, with special interests in early and silent cinema, classic Hollywood filmmaking, and French film. He brings all that to bear on his five picks for 1900, which contain techniques that have only retroactively been considered early displays of evolving film gr…
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Malcolm Cook, Associate Professor of Film at the University of Southampton, found it challenging to pick just five works to represent 1900. But his selections embody the cross-section of genres and approaches across three countries, demonstrating how the turn of the century didn't suddenly disrupt the paradigms of the cinema of attractions but evol…
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The second season of The 5 Best Films of Every Year Ever narrows down from the decade-plus of the first down to just one calendar year. The first year of the 20th century didn't suddenly erupt the cinematic world into wholly unprecedented developments. But it fits into the trends and patterns steadily evolving through the last years of the 1800s, e…
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Invented within the last decade or so of the 1800s, "cinema" (a fluid definition not owed to any one person or group as this season has demonstrated) grew exponentially through the end of the century. The guests for this first season of The 5 Best Films of Every Year Ever have demonstrated the diversity of filmic form in this incubatory period, inc…
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Peter Domankiewicz is a film director (Tea & Sangria), screenwriter, and journalist with a long-standing interest in the origins of cinema. That interest manifests in five picks that deconstruct some of the myths surrounding early film, including the definition of “cinema” and its “invention,” a widescreen format at least 70 years before it became …
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Bryony Dixon is the curator of silent film at the BFI National Archive and her picks for the 1800s reflect that expertise. Bryony discusses five British films that are emblematic of key developments in the earliest days of film, which align with the end of the Victorian era that she details in her book The Story of Victorian Film. Bryony is also th…
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Maggie Hennefeld, Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities, has literally written the book(s) on early cinematic feminist humor. Death by Laughter: Female Hysteria and Early Cinema and Specters of Slapstick and Silent Film Comediennes tackle similar themes to those explored in her five pic…
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As a feminist film historian and scholar, Aurore Spiers (she/her) is mainly focused on women’s contributions to film, with her work interrogating historiographical processes—what history gets written, how, and why—through the lens of gender and intersectional and multidimensional feminism. That focus is reflected in her five picks for the 1800s, as…
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As the first guest of The 5 Best Films of Every Year Ever and its 1800s season, writer and avid "prehistoric" film watcher J.J. DiUbaldi explores sound, color, and positive racial depictions (among other topics) through his five picks; things one might not expect to find in the earliest motion pictures of the 1880s and '90s. J.J. maintains zepfanma…
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Welcome to The 5 Best Films of Every Year Ever. Ahead of guests and listeners sharing their picks for the first decade or so of cinema up until the end of the nineteenth century, instructor and host Tristan Ettleman provides some context on the podcast and the creation of “moving pictures.”By Tristan Ettleman
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