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The Last Mixed Tape Podcasts

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DJ.BigLou163 has been DJ’ing for 25 years, working in the mix tape circuit for many years and spinning for countless parties, clubs, and lounges all over New York City, along with private functions as well as different kinds of events. He became the originator of the Spanish Mixes (Salsa songs with Hip-Hop Beats). He has an incredible series of Spanish mixes and has made some memorable mix tapes, such as Pigeon vs Scrubs He has been doing Internet Radio for the last 8 years and states that i ...
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Just Not Sports

Brad Burke & Gareth Hughes

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Sports talk, without the sports talk. We go deep with the people who play and cover sports about their passions away from the games. Movies, music, hobbies, interests, fashion. Anything ... JUST NOT SPORTS.
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Do you love talking all things movies, TV, and pop culture, but tired of all the toxicity online? Do you wish you could take the guilt out of your entertainment guilty pleasures? Poditive Spin is the podcast haven you need. Come and join the Friendly Fan Club, where we push back against nitpicking, naysaying, and negativity. Where we champion the positives, celebrate storytelling, and believe no media is without merit. May Poditive Spin be a light for you in dark places when all other lights ...
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AI music is about control. From record labels chasing profit to right-wing culture warriors pushing “neutral” art, this is the plan to replace real artists with machines. In this episode of The Last Mixed Tape, Stephen White explores how the rise of AI in music is being weaponised by both corporate and political forces. Why are record labels and co…
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Netflix’s new series House of Guinness has been slammed by Irish critics for its stereotypes and shallow storytelling. But there’s one part of the show that works the soundtrack. Featuring artists like Fontaines D.C., Kneecap, Lankum, Lisa O’Neill, and The Mary Wallopers, the music captures the rebellious poetry of Ireland far better than the drama…
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Mo Chara (real name Liam Óg Ó hAnnaid , a member of Belfast rap group Kneecap, has had terrorism charges against him thrown out at Woolwich Crown Court. The case, which alleged that Mo Chara displayed a Hezbollah flag during a London performance, collapsed when the judge ruled the prosecution was unlawful because the Attorney General’s consent had …
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Life has been a LOT lately and I'm probably not alone there so lets put out a mix tape of some song that bring me joy during these hard times. Misha Panfilov - Days as Echoes Freeway -What We Do Kenny Mason - Jumpin In Janet Jackson - Together Again Angel Olsen - New Love Cassette High Vis - Talk for Hours Bad Brains - Attitude wordisbondtv.com…
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Fascists can’t create. They can only silence, steal, and twist music into something hollow. From Nazi Germany banning jazz, to the Catholic Church blacklisting artists in Ireland, to punk, disco, and hip-hop being targeted, authoritarian regimes have always feared music. Because music is messy, imperfect, alive… everything fascism can’t stand. In t…
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Emerald Fennell’s new Wuthering Heights film has already stirred controversy, but I want to make the case that the best adaptation of Emily Brontë’s gothic masterpiece already exists and it isn’t on screen. In 1978, an 18-year-old Kate Bush captured the wild, haunting atmosphere of the novel in just four minutes of music, creating a version of Wuth…
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Kneecap’s brand new single “Sayōnara” is a cultural moment. In this video, Stephen White of The Last Mixed Tape breaks down why Kneecap are in their imperial phase, how their defiance on global stages like Glastonbury has made them cultural icons, and what Sayōnara tells us about Irish music and identity in 2025. From their stance on Gaza to the “F…
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CMAT’s Euro-Country is a generational reckoning. In this review, I explore why only CMAT could have made this record, and why it could only have been made now.From the scars of the Celtic Tiger to the contradictions of modern Europe, Euro-Country is witty, heartbreaking, and politically sharp, a pop record that laughs, cries, and critiques all at o…
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Florence + The Machine is back with Everybody Scream the first single from their upcoming album, Everybody Scream, set for release this Halloween. In this video, I dive into the song’s gothic sound, its themes of witchcraft and ritual, and how Florence continues to reclaim mystical imagery in her music.From Stevie Nicks to Kate Bush, from Irish fol…
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In 1993, U2 used their stage to beam Sarajevo into the world during the Bosnian War. They gave space for civilians to speak under siege during their acclaimed ZooTV Tour. From that came ‘Miss Sarajevo’ with Luciano Pavarotti and one of the most powerful artistic responses to war. But in August 2025, when U2 spoke out on Gaza, their words told a dif…
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Happy Birthday #UNION77! We are 12 years old.1. Cristina Coronel, Tom Szirties— Calling You2. Boogie Belgique — Avenoir3. Microwavepizza — Armageddon4. Nico Stojan, Jaw — OD 30 (Acoustic remix)5. Jonathan Wilson — Loving You6. Crazy P — Human After All7. Lovebirds, Stee Downees — Want You In My Soul8. Baby D — Let Me Be Your Fantasy (Satin Jackits …
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If grief was the language of For Those I Love’s debut, Carving the Stone is its translation into the language of a nation. David Balfe returns after four years with an album that moves from the deeply personal into the generational, tackling grief, class, violence, toxic masculinity, and the systems that keep us trapped. In this episode of The Last…
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Five years ago, Gemma Dunleavy released Up De Flats, an EP that did more than just tell her story. It told a place’s story. Sheriff Street. Dublin’s North Inner City. Communities flattened in headlines but still rising in rhythm. In this episode of The Last Mixed Tape, Stephen White reflects on the legacy of Up De Flats, what it meant then, and wha…
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CMAT’s new single Euro-Country is a cultural reckoning. In this episode of The Last Mixed Tape, Stephen White breaks down how CMAT takes aim at the ghosts of the Celtic Tiger, the fallout of the 2008 crash, and the legacy of Bertie Ahern. From the fluorescent ruins of Santry’s OMNI Shopping Centre to Ireland’s Celtic Tiger past, this video explores…
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The Oasis reunion is no longer a rumour, it’s happening. With shows already underway in Manchester, Cardiff and soon Dublin’s Croke Park, fans are once again screaming Champagne Supernova like no time has passed. In this episode of The Last Mixed Tape, I revisit the song that captured Oasis on the edge of everything, before Be Here Now, before the …
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“Let God Sort Em Out” isn’t just a comeback it’s a calculated strike. Clipse have returned with one of the most competitive, ruthless rap records in years, and they brought Pharrell and Kendrick Lamar into the ring with them.In this episode of The Last Mixed Tape, we dive into the philosophy behind the album, how Pusha T and Malice weaponise precis…
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Glastonbury 2025 became one of the most politically charged festivals in recent memory from Bob Vylan’s explosive set being investigated by police, to Kneecap’s BBC censorship, and Rod Stewart backing Nigel Farage in the press. In this episode of The Last Mixed Tape, we explore the growing tension between protest art and platform control, and ask:W…
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In 1992, Sinéad O’Connor tore up a photo of the Pope live on Saturday Night Live and paid the price for telling the truth. Booed at Madison Square Garden. Silenced by the industry. Mocked by the media.But what if she was right all along? In this episode of The Last Mixed Tape, we revisit that moment not as scandal, but as protest, an act of defianc…
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In this episode of The Last Mixed Tape, we break down the powerful courtroom moment when Kneecap’s Mo Chara demanded to speak Irish during his trial in London and why that decision echoes far beyond the courtroom.From The Pogues to Johnny Rotten, Shane MacGowan to Fontaines D.C., this is a history of Irish voices using British stages to express def…
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Ireland’s housing crisis. The ghost of Dublin. The music of frustration. In this episode of The Last Mixed Tape, we dive into Fontaines D.C.’s “In The Modern World” and explore how it captures the voice of a generation let down by their country. With echoes of Gertrude Stein’s “Lost Generation”, this episode connects the cultural disillusionment of…
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Gilla Band are not the most commercially successful band of their generation but they might be the most influential. In this deep dive from The Last Mixed Tape, through the lens of Franics Bacon I explore how this uncompromising Dublin four-piece rewrote the rules for noise, post-punk, and experimental rock and why their contorted, chaotic sound is…
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This week on The Last Mixed Tape, I explore my personal connection to Kanye West’s Through the Wire, a song that helped me survive a near-fatal accident 20 years ago and reckon with what it means to love a piece of art when the artist behind it becomes indefensible. Kanye West’s most recent release, featuring praise of Hitler, crosses every line an…
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Irish rapper Mo Chara of Kneecap is facing terror charges in the UK for a performance in London. But what does this case really say about freedom of expression, cultural identity, and the criminalisation of art? In this episode of The Last Mixed Tape, I explore the history of artists on trial from John Lennon to Pussy Riot and ask what happens when…
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One of modern music’s most haunting voices is Maria Somerville, whose new album Luster captures the tension between dreams and memory, tradition and distortion.In this episode of The Last Mixed Tape, Stephen White explores how Irish artists like Somerville, Katie Kim, and Virgins are carrying the echo of shoegaze, dream pop, and drone into somethin…
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From rebel ballads to queer anthems, Irish folk and protest music are being reborn for a new generation. In this episode, we explore how artists like Lankum, Lisa O’Neill, Pillow Queens, the Mary Wallopers, Kneecap, Bambi Thug, and more are reclaiming Irish identity from right-wing ideology, rewriting what Irishness sounds and looks like. ANSEO, he…
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Kneecap are facing calls to be dropped from Glastonbury Festival after backlash over controversial past performances. In this episode of The Last Mixed Tape, I explore the deeper implications of this moment not just for Kneecap, but for the future of protest in music. Using comedian Josh Johnson’s quote “Everything you thought was revolutionary was…
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Kneecap’s explosive Coachella performance wasn’t just a set — it was a protest.When the Belfast rap group called out genocide and colonial violence from one of music’s biggest stages, the backlash was immediate: investigations, media smears, and coordinated attempts to silence them. In this episode of The Last Mixed Tape, Stephen White breaks down …
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Lana Del Rey has just quietly dropped two haunting new singles: Henry, Come On and Bluebird. In this episode of The Last Mixed Tape, Stephen White explores the dreamlike mood, stripped-back sound, and emotional undercurrents of these tracks and what they reveal about the next chapter in Lana’s evolution. From the hushed reverb-drenched acoustics to…
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Bon Iver’s new album SABLE, fABLE feels like a closing chapter—part epilogue, part rebirth. In this episode of The Last Mixed Tape, I explore how Justin Vernon blends folk, R&B, ambient, and pop into something both deeply personal and genre-defying.From the quiet intimacy of the Sable EP tracks to the lush pop clarity of Everything Is Peaceful Love…
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Drake’s new single Nokia is dominating the charts—but has the long shadow of Kendrick Lamar’s silence redefined what Drake’s success even means? In this episode of The Last Mixed Tape, Stephen White dives into the power dynamics of the Drake vs Kendrick beef, and asks whether Drake’s legacy is now being shaped by a rivalry he can’t escape.Featuring…
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I’ll admit it—I was wrong about CMAT. When I first heard her early singles like Rodney and I Wanna Be a Cowboy, Baby, I wasn’t convinced. It felt like the humor was overshadowing the music. But everything changed when I heard If My Wife New I’d Be Dead. From Nashville to Peter Bogdanovich, I finally saw the depth behind the persona. Then came Crazy…
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U2’s Hold Me, Thrill Me, Kiss Me, Kill Me is more than just a forgotten ‘90s anthem—it’s a dark and prophetic take on fame, excess, and rock stardom. Released at the height of U2’s most theatrical era, the song saw Bono channeling his alter ego MacPhisto, a devilish rockstar inspired by Elvis and Jim Morrison, warning of the dangers of celebrity cu…
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Chappell Roan’s Pink Pony Club wasn’t an instant hit. In fact, when it was released in 2020, it barely made a dent in the charts. But years later, the song has become an anthem—thanks to her audience, not the industry.In this deep dive, we explore how Pink Pony Club slowly found its people, why streaming algorithms bury great music, and what this s…
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Peter Gabriel and Kate Bush’s Don’t Give Up is more than just a duet—it’s a masterclass in emotional storytelling. In this deep dive, we explore the song’s themes of resilience, how toxic masculinity prevents men from seeking support, and why Kate Bush’s voice became a musical safe space for so many. We also uncover Peter Gabriel’s original vision …
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With their latest single, It’s Amazing To Be Young, Fontaines D.C. continue their sonic evolution—embracing Britpop’s anthemic scale while remaining deeply rooted in their Irish identity. But how does an Irish band fit into Britpop’s legacy? And what does it mean for a band shaped by Dublin to make their mark in London?In this deep dive, we trace t…
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Kendrick Lamar’s Super Bowl Halftime performance wasn’t just a show—it was a power struggle in real time. Behind the corporate spectacle, Kendrick delivered a performance loaded with subversive messages, playing with ideas of control, propaganda, and rebellion. But did the audience—and the system—fall right into his trap?In this deep dive, Steve br…
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Kendrick Lamar is about to step onto the biggest stage in music—the Super Bowl Halftime Show—and it could be a career-defining moment. In his recent Apple Music interview, Kendrick made it clear; “Hip-hop is not just music. It’s an art form. It’s high art.” With “Not Like Us” dominating the culture, the weight of hip-hop’s fight for recognition, an…
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Marianne Faithfull’s haunting voice in Metallica’s The Memory Remains is unforgettable—but the story behind it is even more powerful.When Metallica needed a voice that sounded like time itself—worn, fractured, yet unshakable—they turned to Marianne Faithfull. But how did a former ‘60s pop star, once known for her angelic voice and tragic downfall, …
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In this episode, we dive deep into the eerie and enigmatic world of David Lynch’s music, focusing on his 2011 album Crazy Clown Time. Known for his surreal films like Blue Velvet and Mulholland Drive, Lynch’s approach to sound design has always been integral to his storytelling. But how does this translate to a full album of haunting, experimental …
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From the chaotic rebellion of Generation Terrorists to the introspective evolution of The Holy Bible and beyond, the Manic Street Preachers have carved one of the most compelling paths in rock history. In this episode of The Last Mixed Tape, we explore their remarkable journey, tracing the highs and lows of their career—from the enigmatic brillianc…
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This week, to mark the anniversary of David Bowie’s passing, Steve delves into how the song Heroes and Bowie’s Berlin Era shaped his artistry and our perspective on his work retrospectively. From chaos to heroes, maximalism to minimalism, the ever changing David Bowie created a masterpiece through adversity. 00:00 Intro 00:30 You remind me of the b…
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This week Steve delves into his favourite U2 song, ‘Stay (Faraway, So Close!)’. Released as part of the 1993 album Zooropa, and inspired by Wim Wenders film Der Himmel Über Berlin and used in its sequel. The song captures the band at the height of their musical and stylistic powers. 00:00 Intro 00:30 U2 Stay (Faraway, So Close!) Review 26:50 Outro…
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This week Steve picks out his favourite song of 2024, ‘Starburster’ by Fontaines D.C. taken from the Irish bands’ seminal album Romance.Meanwhile, the Count of Monte Playlisto returns with his end of year Spotify playlist including nods to Kneecap, Trophy Wife, Shark School, Gurriers, New Dad, April, Aoife Wolf, Chalk, Sprints, Really Good Time, an…
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