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Heist Podcast

Matt And Sie

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Miss the pod? Get our new Audio Book "Heist This Book" Out Now! http://glow.fm/heistthisbook HEEEEIIISST! Hello Heist Nation! I'm Simon and I'm Matt! Long time no heeeeeist! We got a little hankering for some heistering and so we put together an audiobook all about heists! Its dives deep into everything heist, an info dump of all the cool stuff we learned over the years. Five Chapters 1 - Vaults 2 - Advanced Heist Techniques 3 - Fort Knox 4 - Getting away with it / Aftermath 5 - The Turkey H ...
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Music & Dance: Musicians, Composers, Singers, Dancers, Choreographers, Performers Talk Art, Creativity & The Creative Process

Musicians, Composers, Performers, Dancers, Choreographers...in Conversation: Creative Process Original Series

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Music & Dance episodes of the popular The Creative Process podcast. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners ...
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Matt and Sie are back with a mini episode full of Heist Podcast news and updates. We’re excited to introduce Heist This Book — a special project we created just for Heist Nation. If you missed it when it first dropped, we’re bringing it to you now, ad-free as always. Huge thanks to everyone who supported us by grabbing it earlier. Give the audioboo…
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Greetings, fellow heist enthusiasts! We're Matt and Simon, the hosts, producers, and writers of the thrilling Heist Podcast “All the fun of true crime without the murder!” If you’ve never heard of us, check out the pod, and if you have, what’s up Heist Nation?! This book is a treasure trove of all the tasty heist knowledge we've acquired over the p…
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Okay, so in the last chapter, we focused on the basics; now, we want to move on to the more advanced techniques of heisting. We can’t talk about advanced techniques without mentioning one of the earliest and most remarkable devices we’ve ever encountered. THE LITTLE JOKER - this is a tool we’ve discussed extensively on Heist Podcast because it’s so…
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Alright, it's time to delve into the granddaddy of all bank vaults. The gold-plated epitome of secure stashes. A place so impervious that its name has become synonymous with ultimate security. We're talking about the indomitable Fort Knox, my friends. So, just how secure is this fortress of solitude? The answer is: mind-bogglingly so.…
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If you've managed to pull off a successful heist and now find yourself in possession of a sizable haul, your next moves are crucial. Think of it as going through a rough break up — you need to lay low, be patient, and let things cool off. Law enforcement will undoubtedly be on high alert, searching for any leads or signs of unusual activity.…
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THE TURKEY HEIST Simon and Matt discuss how they would pull of the perfect heist based on everything they've learned on the pod. Target date Thanksgiving. Long weekend, most businesses are shut down. Lots of money in the bank. Target - A bank in the Hamptons. A bank that has safety security boxes and caters to rich people. Find a location where we …
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“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing wo…
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“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a …
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“So I think that part of colonialism for Indigenous peoples has been this idea that Indigenous peoples aren't thinking peoples and that we don't have thought on a kind of systemic level. One of the things that I was interested in doing is intervening in that because I think Indigenous people have a lot of beautiful, very intellectual, theoretical c…
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“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers a…
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“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that. I would enco…
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“I think that it all goes back to childhood. I’ve always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feel…
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“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You …
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“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to fo…
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“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civiliz…
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“In an age of seeming isolationism, where some countries tend to isolate, this is such a great way to bring people together. When you're doing music and the arts, all those barriers just fall away. People are just collaborating and having fun. It’s such a bridge-building endeavor. I don't mean that to sound cheesy either, because I just think it is…
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“ I've lived in Philadelphia for about 16 years.  The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient,  a lot of people struggling with addiction and a lot of women doing sex work…
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We are privileged to present the voices of individuals dedicated to effecting change and mitigating the harm inflicted upon our precious planet. These are individuals deeply committed to the core values that drive positive transformation. Thank you for tuning in to our episodes and for your ongoing dedication to stewarding our planet, not just on E…
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“I'm really interested in the relation between performance and ritual. Where do those two separate?” Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labo…
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“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of th…
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“When I was working at the Times and the Times Magazine, on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hund…
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" I think the narrative structure of those story ballets, which were some of the biggest stories of my childhood. I grew up watching Swan Lake. Giselle, La Bayadère, these were stories that were as present to me as anything that I read. Those story ballets are often split in two parts in a way. You have the White Swan and the Black Swan. In Giselle…
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“What I meant when I said there is no AI is that I don't think we serve ourselves well when we put our own technology up as if it were a new God that we created. I think we confuse ourselves too easily. This goes back to Alan Turing, the main founder of computer science, who had this idea of the Turing test. In the test, you can't tell whether the …
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