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Erik Stadnik Podcasts

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The Writers' Room

Erik and Kyle

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This monthly podcast will look at Doctor Who through the writers who molded the show and their televised output. Hosted by Kyle Anderson (Doctor Who blogger for Nerdist.com) and Erik Stadnik (host of the Doctor Who Book Club podcast)
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Who here wants to cry at the innocence and fragility of childhood?! Well, ready or not, here we go, because this episode features "When I Grow Up" from Matilda: The Musical written by Tim Minchin. And it definitely enters then canon of "SMSTS episodes where one or both hosts audibly stifles tears." Enjoy!(?) All clips are from 2011's Roald Dahl's M…
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As we head toward wrapping up the Matt Smith years, it has come time to talk about two incongruous episodes. First, "A Town Called Mercy" by Toby Whithouse and then "The Name of the Doctor" by Steven Moffat. Not a lot connect these two aside from both being in Series 7 but we needed 'em checked off the list. One is a mealy mouthed pastiche of Itali…
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Merriam-Webster defines a bildungsroman as "a novel about the moral and psychological growth of the main character." Well, we're not talking novels, but musicals --but otherwise, that definition fits nicely for our next mini-series, featuring songs about young people growing up. First up, "13 (Becoming a Man)" the title song and opening number to J…
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Shannon and Erik (but mostly Shannon) are here to close out our miniseries on comic duets with "You and Me (But Mostly Me)" from The Book of Mormon, written by Matt Parker, Trey Stone, and Bobby Lopez. Erik, meanwhile, details his theory of comic characters and why, for him, a lot of this song falls flat. All clips are from 2011's The Book of Mormo…
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It's another episode of Mark Gatiss here on Doctor Who: The Writers' Room. This month, Erik and Kyle look at the two stories Gatiss wrote for Series 7B. First up, "Cold War," the story that reintroduced the Ice Warriors aboard a Russian submarine in 1983. Second, "The Crimson Horror," a penny dreadful riff with the Paternoster Gang and a delicious …
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What if a brilliant comic duet was also incredibly vulgar? Yes, we're talking "Class" from Kander & Ebb's Chicago, and we get into both why it was almost cut from the original production and why it was cut from the 2002 Oscar-winning film. All clips are from 2002's Chicago: Music from the Miramax Motion Picture featuring Katherine Zeta-Jones and Qu…
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We're back again, and just in time for Pride Month (Happy Pride!), we're talking about one of the queerest songs ever to appear in a totally "straight" musical: "Bosom Buddies" from 1966's Mame, with music and lyrics by Jerry Herman. Join us as we talk about Broadway, bitchiness, and Bea. All clips are from 1966's Mame: Original Broadway Cast Recor…
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This month, Kyle and Erik look at the two stories written for Doctor Who by Luther creator Neil Cross. Those are, as commissioned, the Nigel Kneale-inspired "Hide" and the many other things-inspired "The Rings of Akhaten." One of those stories was immediately derided upon release while the other was generally considered good. Will that still be tru…
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A few days late, but we hope it's worth the wait: it's new miniseries time! This time, we're looking at comedic duets, and we start with one of the most iconic examples of the genre: "Anything You Can Do I Can Do Better" by Irving Berling from 1946's Annie Get Your Gun. We talk a lot about the show, the song, and why the latter seems destined to ou…
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Erik and Kyle return to their old pal Steven Moffat for a pair of stories smack in the middle of the muddy series 7B, "The Snowmen" the only mid-series Christmas special, and "The Bells of Saint John" which officially introduced Clara Oswald Prime. Do these stories work? Do we like them? Why is Clara the best and people need to accept it?…
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One final SondheimB-side before we depart. This time, we're looking at a show that's gone by many names, but has failed to make a huge impression under any of them. We're discussing at "Talent" from Road Show, aka Bounce aka Wise Guys. Never heard of it? You're not alone. N.B.: There is a very light swear in the song, at the very end. If you don't …
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We're talking The Frogs, perhaps the ultimate curio in the Sondheim canon. Originally staged at Yale as a side project during Sondheim's golden 70s, the show was eventually brought to Broadway in 2004 -- still the most recent Broadway debut for Sondheim -- by Nathan Lane, who expanded the original version and got Steve to write some new songs. Now …
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Moving on with Sondheim B-Sides, we come to his very next show after Forum, namely the complete catastrophe that was Anyone Can Whistle. Co-written with Arthur Laurents, who also directed, the show was a massive flop, but it did give the world Broadway star Angela Lansbury, as well as an incredicle score. In this episode, we look at "With So Little…
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Every once in a while Erik and Kyle have to talk about exceedingly boring episodes of Doctor Who. That time is now as our heroes look at the two scripts credited solely to Stephen Thompson, aka the guy who wrote stuff for Steven Moffat when he was too busy. Those episodes are "The Curse of the Black Spot" and "Journey to the Centre of the TARDIS," …
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It is our annual tribuite to the God of Musical Theater, Stephen Sondheim, and for this year's festival we are exploring some songs of his from the shows that people rarely place among their favorites. The unloved, the ignored, the obscure, and the forgotten. Or, in this case, a show that many know, but doesn't tend to get thought of as a "Sondheim…
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Like it or not, it's impossible to talk about the Steven Moffat years without discussing the single most ubiquitous other writer of the era, Moffat's longtime collaborator and co-creator of Sherlock, Mark Gatiss. In the first of many episodes about Gatiss' Who output, Kyle and Erik discuss "Victory of the Daleks" and "Night Terrors," one of which m…
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Okay, don't panic! No, you've probably never heard of this song "The Field" -- or maybe even this show --Octet -- but what if I told you it was Dave Malloy's follow up to The Great Comet? And then what if I told you it was a weird chamber musical about internet addiction? Well, maybe listen to the episode anyway, and join us as we discuss the natur…
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Our next ensemble song takes us to 1890s Germany via Broadway in 2006. Spring Awakening, with book and lyrics by Steven Sater and music by rocker Duncan Sheik, is based on an 1891 German play that explores many of the worst things that can occur to a person, especially during adolescence. Winner of 8 Tonys, the show speaks frankly about sexuality, …
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It's finally time to say goodbye to the Ponds...mostly. Despite a few straggler episodes we have yet to discuss, this month's podcast is all about the farewell story for Amy and Rory, "The Angels Take Manhattan." How does Steven Moffat bid his era's first companions adieu? Are we happy with it? Why are the Angels in it? Did River Song really write …
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What's that I hear? Why, it's another ensemble song...but this one...is angry! Yes, for our next installement in our Ensemble Song miniseries, we're discussing "Do You Hear the People Sing?" from Les Miserables, by Claude-Michel Schoenberg, Alain Bubil, and Herbert Kretzmer. Opening in 1985 under the auspices of the Royal Shakespeare Company, the s…
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Time for another year and another new mini-series! This time, we're turning our spotlight onto the ensemble. From the Greek chorus to the modern Broadway ensemble, the act of a group of people singing together has often been a crucial part of theater. While we're not going to go all the way back to Ancient Greece, we are going to look at 4 examples…
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This month, Kyle and Erik have good news and bad news. The bad news is we have to talk about "Dinosaurs on a Spaceship" and "The Power of Three." The good news is we won't have to talk about a Chris Chibnall script for like five more years. Anyway, these two episodes certainly aren't the worst things ever, and in many ways they set the stage for wh…
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Hi folks, just a quick update. Kyle who lives in LA has thankfully not had to evacuate due to the fires still raging and have ruined people's lives. But, because it was a fluid situation, it meant we weren't able to record when we had planned. So this month's episode will be a few days late. In the meantime, we're donating our entire Patreon for th…
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For our holiday episode, we're turning our sights to a song written for television for the first time. This fall the internet went mad for a song with ample Broadway cred -- "The Ballad of the Witches' Road" from Agatha All Along. Let's talk about what made it such a hit, about its songwriters -- the formidable Bobby & Kristen Anderson Lopez -- and…
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After 20 years, there's finally an Elphaba on screen, and we're going to finish our Elphabae miniseries by talking about her. Buckle up as we talk Wicked the movie (Part 1), whther Cynthia Erivo will break "the Curse of the Elphabae," and what is either just a mid or a Top 10 "I want" song (depending on which cohost you are) -- "The Wizard and I." …
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The year that was 2024 has wound down and instead of wallowing in misery, Kyle and Erik are talking about some Doctor Who Christmas episodes! Specifically the first two penned by showrunner Steven Moffat. Those are, of course, "A Christmas Carol" from 2010 and "The Doctor, the Widow and the Wardrobe" from 2011. It's very much a story of greatness a…
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We're back with another Elphaba, and this time they're singing a role essentially built for them! Except...well...join us as we talk the great Eden Espinosa and the show that maybe doesn't rise to her level: 2024's Lempicka. Written by Matt Gould and Carson Kreitzer, the show underwent a long workshop process before an ultiamtely unsuccessful Broad…
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Another episode, another Elphaba! This time, we're looking at Shoshana Bean, who was an Elphaba early on before leaving Broadway for over a decade and then finally returning to a string of well-received roles, even if she still hasn't found The One. Here she is singing one of the songs that brough her back, "Stars and the Moon" by Jason Robert Brow…
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New miniseries time! This time, we're taking a slightly different approach, focusing on a set of linked performers instead of a set of linked songs. Specifically, we're looking at some of the women who've played the original Green Girl, Elphaba from Wicked. First up is Stephanie J. Block who arguably was the original Elphaba, just not on Broadway. …
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Once again, we find ourselves back at Natasha, Pierre, and the Great Comet of 1812, the show that we just can't escape, nor would we wish to. This time, we're finishing our miniseries on Second Act Openers with the excellent "Letters," where Dave Malloy crams so much content into only 6 minutes that we're almost left a little speechless. Almost. Al…
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Newsies! Yes, at long last, we are talking about one of the most beloved musicals ever to starts as a failed Disney movie. With music by Alan Menken and lyrics by Jack Feldman, Newsies could easily have just been a misbegotten offshoot of the Disney Renaissance, but it experienced a rebirth of its own, hitting Broadway in 2012. Join us as we talk a…
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Comedy is a subjective thing. Some things you once found funny might not hold up a decade later, especially if the person who wrote them turned out to be a bigot and the primary guest star proving himself to be a twat. Anyway, unrelated, this month we're talking about The Lodger and Closing Time, both written by Gareth Roberts with special guest st…
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We're back with another second act opener! This one combines impressive spectacle, plot recap, and a flexible yet catchy tune to ease the audience back into a world of high romance and melodrama. Join us as we discuss "Masquerade" from The Phantom of the Opera and how it does what it does very, very well. All clips are from the 1987 London Cast Alb…
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We reach the midpoint of Series 6, with the very weird pair of highly plot-relevant episodes, "A Good Man Goes to War" and "Let's Kill Hitler," both by Steven Moffat. What works, what doesn't, what is pure mess and what is great characterization? River Song, Melody Pond, Mels, and Lorna Bucket...what names! Don't Colonel Runaway too soon.…
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