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Caleb Baldwin Podcasts

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“There is no place like a bed for confidential disclosures between friends,” Ishmael tells us in “A Bosom Friend,” chapter ten of Moby Dick, excerpted in the “Friendship” issue of Lapham’s Quarterly. “Man and wife, they say, there open the very bottom of their souls to each other; and some old couples often lie and chat over old times till nearly m…
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“Religion gives people certainty and it gives people solace,” says Brenda Wineapple in this week’s episode of The World in Time. “And according toWilliam Jennings Bryan, it gives you a moral center, too, which would makeimpossible the cruelties of, say, World War One, which horrified him. But that kind of intolerable meaninglessness is something Cl…
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“There’s nothing more extraordinary than the world we live in,” says Elizabeth Kolbert in this week’s episode of The World in Time. “We are extremely tied up as humans for whatever reason. We have obviously evolved to pay a lot of attention to our fellow humans. But if we look beyond that, even for an instant, we see that the world is an absolutely…
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“Father Mapple is in some strange, almost obscure way, a kind of negative double for Ahab,” says novelist and critic Charles Baxter in this episode of The World in Time. “Like Ahab, he is speaking from a great height. He begins his sermon by issuing orders. He tells all the congregants to sit down. And, you know, they have to listen to him. What ot…
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“They were against all categories,” says Nicholas Boggs of James Baldwin and the men he loved in this week’s episode of The World in Time. “They really were outsiders, all of them. Sometimes people think, oh, well, he was just drawn to these men who were essentially straight, like he had some kind of complex or something. Maybe. But he was also jus…
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“In this part of the essay, Emerson is talking about walking a lot, you know, sort of walking through nature, taking a stroll,” says James Marcus in this week’s episode of The World in Time. “He has this rather sublime experience, and he describes it in this way: ‘Standing on the bare ground, my head bathed by the blithe air and uplifted into infin…
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“This is a sea that will take your life,” says Matthew Hollis in this week’s episode of The World in Time. “This is the cruel sea. This is the hard sea. And it takes extraordinary skill and good luck to survive it. But we come quickly to realize in this poem that actually there is a different kind of allegorical turmoil within as well. It’s one of …
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“Well, I mean for starters it still is the greatest first sentence ever,” says Francine Prose in this week’s episode of The World in Time. “I mean, three words. A three-word first sentence. I think if you were to ask a kind of range of readers, ‘Can you think of a first sentence?’ You know, you probably get ‘It was the best of times, and the worst …
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“In tyranny, you may not have a whole lot of political freedom, but you can still live a pretty free life under tyranny,” says Roger Berkowitz in this week’s episode of The World in Time. “In your private world, you can live under a dictator and still read what books you want and talk to people as long as you don’t act out in the public sphere. Tot…
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“There’s something I find strangely moving about the ‘Extracts’ section of Moby Dick—before we even get into the text—by virtue of the attention that has been paid to the whale,” writer Wyatt Mason says in this episode of The World in Time. “It’s astonishing as you’re reading through. It’s proof of two kinds of life. It’s proof of the life of the c…
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“In a famous episode, he says his name is Nobody, which in a way is obviously a lie,” says writer, scholar, and translator Daniel Mendelsohn in this episode of The World in Time. “But in another way is sort of true because he has become a nobody, right? And another way to describe the sort of narrative arc of The Odyssey is: he has to go from being…
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“So what is a drug?” asks scholar-essayist Justin Smith-Ruiu in this week’s episode of The World in Time. “It’s a dry good that is transported and then sold in a particular measurable unit, and until you have those units of measurement and standardization for the purposes of commercial exchange, you don’t really have drugs. Of course, you have ayah…
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“I think the conflict for Twain is that he does want to be taken seriously as a writer,” says Ben Tarnoff on this week’s episode of The World in Time. “The tricky part is that he does have a deep affinity for the low culture of the frontier expressed primarily through humor and tall tales. That he connects to that at an intuitive level. He has an e…
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“They would take you around, introduce you to all of their contacts, translate for you, and help you put together the story,” says scholar-journalist Kira Brunner Don in this week’s episode of The World in Time. “And I often felt like, you pay them, of course, a day rate, but there was this understanding that real news was made by American journali…
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“I really loved it,” Francine Prose says of Nixon-era San Francisco in this episode of The World in Time, “but I also knew I wasn’t going to live there forever. Everyone I knew was living in these group houses in Berkeley, and then in the city itself, with ten people or fifteen people. I talk about the Reno Hotel, a former nineteenth-century hotel …
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“Lewis was always engaging with some important piece of literature from the past,” says historian and classicist Emily Allen-Hornblower in this episode of The World in Time, edited from audio recorded at the memorial service held for Lewis H. Lapham in September 2024. “You can be chatting about the insanity of the current political landscape and qu…
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“I’m an essayist, not a podcaster,” says Lapham’s Quarterly acting editor Donovan Hohn, “but then the same could be said of Lewis, who took the form and the medium of the podcast and did with it what he’d done all of his adulthood: have conversations with people whose voices he wished to hear. Seasoned listeners to The World in Time may rest assure…
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“The Greeks knew that many problems have no solution,” journalist Robert D. Kaplan says on this episode of The World in Time, about his inspiration for writing “The Tragic Mind.” “They knew that leaders and people in their daily lives often face only bad choices. And yet the world at the same time is beautiful. The Greeks could admit a beautiful wo…
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“Among Shakespeare scholars,” journalist Elizabeth Winkler writes at the beginning of “Shakespeare Was a Woman and Other Heresies,” “the Shakespeare authorship question—the theory that William Shakespeare might not have written the works published under his name—does not exist; that is, it is not permitted. As a consequence, it has become the most …
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“When you start looking at deeper, more accurate history,” writer Jared Yates Sexton says in this episode of The World in Time, “you start to realize that a lot of what we have learned through conventional history—and this is in public education, best sellers, documentaries, and television shows—a lot of the history that we have gotten is actually …
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“I think the mood in 1860 would have a haunting familiarity to people today,” Edward Achorn says at the start of this episode of The World in Time, discussing the setting of “The Lincoln Miracle: Inside the Republican Convention That Changed History.” “The politics in the country seemed to have broken down. People were talking at each other. They w…
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“I think that I started the book,” historian Stacy Schiff says of “The Revolutionary: Samuel Adams,” “with this thirst for somebody who—I’ve just been writing about the Salem witch trials for many years. And I was looking for someone who had the courage of his convictions, to stand up and take an unpopular stand, which is something that takes a ver…
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“If there was one thing that I would want people to take away from American Midnight,” Adam Hochschild says on this episode of The World in Time, “it’s the idea that democracy, despite all the different checks and balances and the separation of powers and whatnot written into our Constitution more than two hundred years ago, is fragile. It can easi…
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“For most of my adult life, I have been trying to understand why we are who we are,” Andrea Wulf writes at the start of “Magnificent Rebels: The First Romantics and the Invention of the Self.” “This is the reason why I write history books. In my previous books, I have looked at the relationship between humankind and nature in order to understand wh…
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