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There's Sometimes a Buggy

Elise Moore and Dave

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Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially n ...
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The Internet Show is the right place for you to learn all latest strategies,tips,advance growth hacks and information related to internet/social media. As host Rishab kumar ojha; RKO is an expert social media marketer brings lots of value and educate many people about social media marketing through his youtube channel. You can expect lots of valuable information here which you cannot find anywhere else and the best part is, its all in our own language hindi.
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The New Adventures of Sherlock Holmes - Sherlock Holmes: Tom Conway - Dr. Watson: Nigel Bruce In the fall of 1946, Basil Rathbone left the radio program and was replaced by Tom Conway, a fine British actor known for playing RKO Picture's The Falcon, with Nigel Bruce continuing his portrayal of Dr. Watson. The series maintained a high level of quality, but for reasons of expense and support, the production was moved to New York less than a year later and new actors were brought in. When Basil ...
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Hey guys, I'm your host Anurag Birla. I recently graduated from NUS Business School as a Master of Finance and did my bachelors from NYU with a degree in Economics, Math and Business Studies. I'm incredibly passionate about investing, making money and most importantly learning about companies, industries, trends and news that revolve around the finance world. In this podcast, I aim to take you along a journey of learning and discovery as I get better at analysing, breaking down and studying ...
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Goblincast: Live on the Air

Goblincast: Live on the Air

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"Every hours is goblin hours when you're are a goblin." We're a bunch of shouty nerds who, like every other group of shouty nerds, decided that we should have a podcast. Support this podcast: https://podcasters.spotify.com/pod/show/goblincast/support
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This week's Warner Brothers 1933 Studios Year by Year episode brings the studio-as-auteur question back into focus with two highly distinctive Pre-Code musicals with a similarity of style and social outlook that can't be attributed to the directors, screenwriters, source material, or the presence of Hollywood's most idiosyncratic choreographer and …
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Our S&xMas episode looks at two provocative, controversial, and not very sex-positive works made by aging auteurs after a long hiatus, Stanley Kubrick's Eyes Wide Shut (1999) and Paul Verhoeven's Elle (2016). Join us as we trace Tom Cruise's all-American odyssey of sexual paranoia and Isabelle Huppert's very European journey away from sex with men,…
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It's our final Gloria Grahame Acteurist Oeuvre-view episode, with which we also say goodbye to our comprehensive approach toward attaining a privileged vantage point on an actor's entire oeuvre. Of course, we cheated a little on this one and stopped short of Gloria's exploitation film era. Our oeuvre-view ends with two Westerns, Ride Out for Reveng…
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For this 1933 MGM episode we focus on rehabilitating John Gilbert's sound-era reputation with a double feature of underrated gem Fast Workers, a construction worker love triangle melodrama directed by Tod Browning, and Gilbert's most famous sound movie, Rouben Mamoulian and Greta Garbo's very serious (but also very sensual) costume drama Queen Chri…
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In this week's episode of our Gloria Grahame Acteurist Oeuvre-view, we explore the unique casting of unmusical Gloria in Fred Zinnemann's film version of Rodgers and Hammerstein's Oklahoma! (1955) and follow the thread that leads (through Jud Fry) from the supposedly "wholesome" musical to Charlie Kaufman's dark, experimental I'm Thinking of Ending…
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This Paramount 1933 Studios Year by Year episode features two of the studio's defining stars of the era: the Marx Brothers, in their final, most famous, and (maybe) most nihilistic Paramount film, Duck Soup, directed by Leo McCarey, and Gary Cooper, miscast (or maybe not) in One Sunday Afternoon in the role that would go to James Cagney in the Warn…
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For our November 2025 Special Subject we watched the Antoine Doinel films of François Truffaut: The 400 Blows (1959), Antoine et Colette (1962), Stolen Kisses (1968), Bed and Board (1970), and Love on the Run (1979). In addition to the charms of star/auteur avatar Jean-Pierre Léaud, we focus on the films' evolving style and increasing interest in t…
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Our Gloria Grahame Acteurist Oeuvre-view continues with two 1955 liberal institutional melodramas: Stanley Kramer's Not as a Stranger, starring Robert Mitchum as a monomaniacally idealistic doctor, Olivia de Havilland as the wife he takes for granted, and Gloria as the Other Woman; and Vincente Minnelli's underrated The Cobweb, starring Richard Wid…
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We've got a Halloween Hangover on this week's episode, with two Universal 1932 horror movies, James Whale's The Old Dark House (based on a novel by J. B. Priestley) and Karl Freund's The Mummy, starring Karloff. We explore the curious tone, social themes, and stellar cast (including Charles Laughton, Ernest Thesiger, Eva Moore, Melvyn Douglas, and …
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Our 2025 Halloween episode is a double feature in the "mentally disintegrating men" genre: in Ingmar Bergman's Hour of the Wolf, Max von Sydow is beset by some unusual vampires, and in Robert Bierman's Vampire's Kiss, Nicolas Cage becomes an even more unusual one. If people attempting to bite each other to death without proper vampire fangs is your…
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In this week's Gloria Grahame Acteurist Oeuvre-view episode our heroine reunites with Fritz Lang and Glenn Ford in Human Desire (1954), based on the Zola novel La bête humaine, which was more faithfully filmed by Renoir in 1938. We debate the relative merits of the two adaptations as well as the potential weakness that links them. Then we turn to t…
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In this RKO 1932 Studios Year by Year episode we discuss a couple of trademark Selznick productions: What Price Hollywood?, the first iteration of the A Star Is Born story, starring Constance Bennett as the rising star Mary Evans, "America's pal," and Lowell Sherman as her tormented director mentor; and The Animal Kingdom, based on the Philip Barry…
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This week's Gloria Grahame episode sees our acteur making some questionable career decisions: a rare headlining role in Columbia's Orientalist stinker Prisoners of the Casbah (1953), displaying a phenomenal lack of chemistry with Turhan Bey; and a micro-role in intriguing British heist noir The Good Die Young (1954) as a pragmatic actress tormentin…
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For this 1932 Fox Studios Year by Year episode we watched Frank Borzage's unloved Young America, an idiosyncratic, primitive melodrama starring Spencer Tracy as a wealthy drugstore owner at odds with a disadvantaged delinquent, and Passport to Hell, Fox's surprisingly good take on the Sternberg-Dietrich formula, starring Elissa Landi as a woman of …
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In this week's episode of the Gloria Grahame Acteurist Oeuvre-view series, our heroine battles an organized crime ring in Fritz Lang's classic noir The Big Heat and the Soviets, or in any case her beleaguered circus capitalist husband, Fredric March, in Elia Kazan's Man on a Tightrope (both 1953). Dave and Elise are somewhat at odds about the effec…
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Our Special Subject for September 2025 led us to watch a couple of wartime British films starring Laurence Olivier and his amazing accents: Québécois in Powell and Pressburger's The 49th Parallel (1941), which opposes a Platonic Idea of Canada to Nazi ideology, and Russian in Anthony Asquith's The Demi-Paradise (1943), an alarmingly Soviet-friendly…
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This Warner Bros. 1932 episode is a double feature of Glasmon-Bright scripts directed by Pre-Code wizards: Mervyn LeRoy's Three on a Match, a tight little melodrama about the cryptic and arbitrary nature of self-destruction with Ann Dvorak as a wealthy housewife beset by ennui; and Roy Del Ruth's Taxi!, in which Loretta Young has to stand up to Jam…
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Our Gloria Grahame Acteurist Oeuvreview recovers from last week's rough spot with two excellent roles in two excellent films that display her range as a character actress. In Vicente Minnelli's The Bad and the Beautiful (1952), for which Gloria won an Oscar for Best Supporting Actress, she's a sweet but silly Southern belle curiously sacrificed by …
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This 1932 MGM Studios Year by Year episode is a Robert Montgomery double feature, although the spotlight is on his leading ladies: an incandescent Marion Davies in Blondie of the Follies (directed by Edmund Goulding), and a distraught Tallulah Bankhead in Faithless (directed by Harry Beaumont). We discuss the strengths and incoherencies of Anita Lo…
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Our August Special Subject is Literature vs. Welles vs. Moreau: we discuss the three finished films that Orson Welles made with Jeanne Moreau, whom he considered "the greatest actress in the world." The Trial (1962) stars Anthony Perkins in an adaptation of the Kafka novel; Chimes at Midnight (1965) stars Welles as Falstaff in an adaptation of Shak…
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In this episode of our Gloria Grahame Acteurist Oeuvre-view episode, our protagonist is rudely shoved into the background of the movies, barely appearing in Josef von Sternberg's Macao (1950) (she would have liked to have appeared in it even less) and playing a rote schemer in David Miller's Sudden Fear (1952). The movies themselves don't make up f…
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For this round of Paramount 1932, we watched our first Marx Brothers movie for the podcast (hard as that is to believe), Horse Feathers (directed by Norman Z. MacLeod), alongside Ernst Lubitsch's only sound-era drama, Broken Lullaby. Lubitsch's batshit WWI melodrama, bursting with intensity and unease, claims our attention first, and then we turn t…
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This week in our Gloria Grahame Acteurist Oeuvre-view we watched one of her best-known films, In a Lonely Place (1950), directed by Nicholas Ray and co-starring Humphrey Bogart, alongside the unpromising Cecil B. DeMille circus drama The Greatest Show on Earth (1952). This may be the only time you find these two movies discussed together with rough…
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For our Universal 1931 Studios Year by Year episode we took in a Sidney Fox double feature, Bad Sister (adapted from a Booth Tarkington novel, with an early role for Bette Davis as the good sister) and Strictly Dishonorable (adapted from Preston Sturges' only successful play and directed by John Stahl). Laemmle Jr.'s protegée uses her ingenue quali…
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Our final Oscar Levant Special Subject episode covers his contribution to two of the greatest MGM musicals, Vincente Minnelli's An American in Paris (1951) and The Band Wagon (1953), plus a 20th Century Fox curiosity, The I Don't Care Girl (1953) in which Mitzi Gaynor supposedly plays early 20th century vaudeville wild woman Eva Tanguay. Levant rea…
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The movies we viewed for this RKO 1931 Studios Year by Year episode couldn't be more different: the sprawling Cimarron (starring Richard Dix as America's psychotic inner conflict) prompts us to speculate about Edna Ferber as a source auteur and the intertwining of her vision of America with Hollywood across three decades; while the tight, play-like…
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Send us a text In this episode I talk about - Labour market, unemployment rate, nonfarm payrolls, and the passing of the BBB. No earnings of interest this week. Instead, I discuss the eVTOL industry, and progress being made with flying taxis. Also talk about Figma's upcoming IPO and how the company separates itself from competitors. ARCH, JOBY, EH,…
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Our Gloria Grahame Acteurist Oeuvre-view continues with A Woman's Secret (1949), an oddball psychological drama with a screenplay by Citizen Kane writer Herman J. Mankiewicz and directed by Grahame's new husband Nicholas Ray; and Roughshod (1949), a consciously feminist Western written by a bunch of leftists. Proving her versatility-within-typecast…
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A curious pairing for this Fox 1931 Studios Year by Year episode: an unsung WWI drama, but as good as any, William K. Howard's Surrender, starring Warner Baxter, Leila Hyams, and an almost unrecognizable (both his appearance and his performance) Ralph Bellamy; and the Will Rogers version of A Connecticut Yankee in King Arthur's Court, which mainly …
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We say farewell to Farrow and Allen (for now, although we'll probably encounter them individually on the podcast again) with this final episode on their cinematic collaboration, covering Alice (1990), Shadows and Fog (1991), and one of their very best, the ill-fated Husbands and Wives (1992). In the first two, two more Allen characters struggle to …
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In this Gloria Grahame Acteurist Oeuvre-view episode we get to see more of what MGM was (not) doing with our acteur's career. Underused in Song of the Thin Man (1947), in which she brings the only real noir energy to the final Thin Man film, she gets a similarly brief but memorable role in the Red Skelton vehicle Merton of the Movies (1947), playin…
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Send us a text In this episode I talk about - Labour market showing resilience, Musk vs Trump, Trump and Xi. Earnings: - DG, DLTR, MDB Focusing on consumer defensives, how they've outperformed SPX ytd and why the future looks promising for them. MDB is more growth focused, but a valuable company that has been doing well both as a organisation and a…
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This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for an…
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Our second Gloria Grahame Acteur-Oeuvre-view episode includes a curious under-use of our acteur in the all-around baffling musical comedy It Happened in Brooklyn (nevertheless memorable for the chemistry between Frank Sinatra and Jimmy Durante), and a judicious use of her by RKO in Edward Dmytryk's anti-fascist noir Crossfire (also 1947). We try to…
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