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Paul Rifkin Podcasts

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Tell Me A Story

Paul Rifkin

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30 to 40 minute presentations appearing weekly or biweekly with notably low production value i.e. no musical theme, no cheesy sound effects and no wailing greek chorus (not that there's anything wrong with that).
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Artwork

4
British Art Talks

Paul Mellon Centre for Studies in British Art

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British Art Talks is the audio series of the Paul Mellon Centre for Studies in British Art. It features new research and aims to enhance and expand knowledge of British art and architecture. The PMC is an educational charity that champions new ways of understanding British art history and culture. We publish, teach and carry out research, both at the Centre in London and through our online platforms. Our archives, library and lively events programme are open to researchers, students and the ...
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This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. Episode image: Bartholomew Dandridge, A Young Girl with an Enslaved Servant and a Dog, c. 1725, oil on canvas, 121.9 x 121.9 cm. Yale …
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This series, Experiments in Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. This programme contains a description of suicide taken from the novel La Fin De Cherí, by Sidonie Gabriel Collette. If you’d prefer to…
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This series, Experiments In Art Writing, features a set of highly innovative UK-based art writers, asking them to describe the encounters, materials, voices and texts that have shaped the very form of their writing. Episode image: Anna Bunting Branch, W.I.T.C.H. ("Wild Imaginations Transform Chauvinist Hegemony"), oil and acrylic paint on folded al…
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Ryan Gander’s inventive, shapeshifting and associative works materialise in many forms ranging from sculpture and writing to painting and performance. His engagement with histories is not without mischief, in his 2006 work A Future Lorum Ipsom, Gander invented a palindromic word, ‘Mitim’, designed to be inserted without comment into newspapers, mag…
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Lucy Skaer has exhibited extensively and has had recent solo exhibitions at the Museo Tamayo, Mexico, SMAK, Gent and Kunstwerke, Berlin, and a current solo show at Bloomberg Mithraeum, London. She was nominated for the Turner Prize in 2009 and was awarded the Paul Hamlyn Foundation Award in 2016. She works in collaboration with as Nashashibi / Skae…
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The garden has long been an important subject matter of the British history of art, but what of the medicinal garden, its visual culture and aesthetics, its significance as a sensory and experimental site, and for artists? This episode brings together a set of scholars whose diverse researches shed new light on the physic, botanical and medicinal g…
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When John, 13th Duke of Bedford, opened up Woburn Abbey to the paying public in 1955, he took care to maintain the sense that this was his family’s home, even though they occupied only a section of the house, away from the tourist route. As he recorded, his wife, Lydia, ‘succeeded most cleverly in arranging the main state-rooms for show while still…
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Lisa Tickner, a leading historian of British art, has just published a new book on the dynamic art world that emerged in 1960s London. In this podcast, she talks with Mark Hallett about the remarkable array of artists, curators, galleries, art-schools, films, publications and documentaries focused on in the course of her research, and about the hig…
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This talk focuses on a key instance of the social realism that played an important role in late Victorian art and culture. Hubert von Herkomer’s Hard Times (1885), has to do with conditions of migrant and insecure labour at the time. Artistically, and in its address to vital social issues, it is an intriguing and complex creation. It continues to s…
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The Carthusian order was founded in the late eleventh century in France. It spread rapidly and widely, and experienced great popularity during the later Middle Ages, when dozens of new charterhouses were founded against a background of sharp decline in monastic foundation in general. The main reason for Carthusian popularity was the order’s consist…
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Medieval tombs often depict husband and wife lying hand-in-hand, immortalised in elegantly carved stone: what Philip Larkin would later describe in his celebrated poem, An Arundel Tomb, as their ‘stone fidelity’. These gestural monuments seem to belong to a broader tendency towards ‘expressivity’ in late-medieval sculpture. Whereas the figures on R…
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William Etty was obsessed with the female form. At the height of his career as a history painter, long after his election to Royal Academician in 1828, he sat side-by-side with novices to study naked models, a practice he continued even as his health faded toward the end of his life. Whether posed alone or in groups, these models served as template…
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