Search a title or topic

Over 20 million podcasts, powered by 

Player FM logo
show episodes
 
Artwork

1
The Long Thread Podcast

Long Thread Media

icon
Unsubscribe
icon
Unsubscribe
Monthly+
 
The artists and artisans of the fiber world come to you in The Long Thread Podcast. Each episode features interviews with your favorite spinners, weavers, needleworkers, and fiber artists from across the globe. Get the inspiration, practical advice, and personal stories of experts as we follow the long thread.
  continue reading
 
Loading …
show series
 
At a time when many fiber arts stores are closing, Sara C. Bixler is bucking the trend. With degrees in both fine art and education, she had developed a studio practice as well as a teaching repertoire at the Pennsylvania weaving school where her father, Tom Knisely, had taught for decades. When that store closed, she decided to take the risk of op…
  continue reading
 
You know about North Pole and the South Pole, where polar bears and penguins live. Have you heard of a third pole? West and south of the Tibetan Plateau, a mountainous area holds more glaciers than any place in the world outside the Arctic and Antarctic poles. This region has a special significance for fiber artists: it is the home and habitat of t…
  continue reading
 
When Tom Knisely decided to buy his first item in an antique shop, he had two strokes of luck: the spinning wheel that he chose included all the parts needed to make yarn, and he lived not far from the landmark weaving store The Mannings. There, he learned to spin and eventually to weave. Enamored with the crafts, he got a job at the store there as…
  continue reading
 
A lifelong lover of fiber arts, Susan Strawn’s career in textiles began in an unexpected corner: with training as a biomedical illustrator. She found cloth far more exciting than biology, so she turned her eye for detail to illustrating PieceWork magazine. She added photostyling to her duties, bringing textile stories to life and demonstrating the …
  continue reading
 
Knitting and wool are so essential in the Faroe Islands that in the early 1800s, exports of sweaters and socks made up about half of the economy. Today, the nation of about 55,000 people has 8+ knitwear brands, 2 active spinning mills, and 70,000 ewes. Sissal Kristiansen, the owner of knitwear company Shisa Brand, started an initiative called The W…
  continue reading
 
In this episode, Isabella interviews Ruth Battersby, Senior Curator of Costume and Textiles at Norfolk Museums Service. The two talk about the embroidery of Lorina Bulwer, a Victorian woman institutionalised in the Great Yarmouth Workhouse who spent her days embroidering vibrant, angry, and extremely long biographical scrolls. Images and sources ar…
  continue reading
 
When young Shay Pendray told the head of her school that she wanted to learn to sew, he had a prerequisite: He would give her a lamb, and she would learn to process the wool, spin it into yarn, and weave it into cloth, and then she could learn to sew. It was an extraordinary home ec class, but the administrator in question was Henry Ford. Shay was …
  continue reading
 
In this episode, Isabella interviews Alexis Penny Casdagli, the daughter of Major A.T. Casdagli, an Anglo-Greek spy famous for embroidering subversive needlework during his time in German POW camps in WWII. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com. You can…
  continue reading
 
Some shepherds research extensively and choose the breed that best matches their needs. Others come across an animal or a whole flock and everything falls into place—it becomes clear that these are the sheep they’ve been waiting for. Robin Lynde had a farm with a few sheep in the mix, but when a local shepherd decided to sell her Jacob sheep, Robin…
  continue reading
 
Listening to her college-aged daughter making calls for AmeriCorps in 2020, Laura Nelkin was surprised at how many people in her community faced food insecurity and hunger every day. A problem that had seemed far away suddenly felt much closer to home, and Laura wanted to find a way to help. She had a feeling that other knitters would want to help,…
  continue reading
 
In this episode, Isabella interviews Jo Andrews, host of the wonderful textile podcast Haptic & Hue. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com. You can listen to Haptic & Hue and learn more here: https://hapticandhue.com/listen/. And be sure to check out th…
  continue reading
 
One day, while waiting outside her daughter’s weaving class, Gabi van Tassell became fascinated with an old-fashioned quilt. The Grandmother’s Flower Garden pattern combines groups of paper-pieced hexagons, and Gabi found herself wondering how she could weave the shapes. An active and curious crafter, she had explored a variety of fiber crafts, tho…
  continue reading
 
In the early 2000’s, one episode of the Late Show with David Letterman boasted that a crocheter would make Dave a sweater over the course of the show. It sounded impossible, but their special guest backstage was Lily M. Chin, who held the title of World’s Fastest Crocheter. When the closing music played, Lily presented Letterman with his sweater—it…
  continue reading
 
A lifelong crafter, Jennifer B. Williams had tried a wide variety of fiber techniques, but she felt something fall into place the first time she sat down to a lesson at an inkle loom. “It was the strangest thing to me. When I started inkle weaving, I started thinking through inkle,” she says. Delicate bracelets, origami fish, flip-flop straps? Abso…
  continue reading
 
Visiting museums and archaeological sites in the American Southwest, Louie García finds inspiration to revive the fiber techniques of the past. He has participated in creating several recreations of ancient textiles, including a replica of the 800-year-old Arizona Openwork Shirt, and is a member of the Cedar Mesa Perishables Project, which studies …
  continue reading
 
Like many spinners, Charan Sachar discovered fiber crafts without realizing that they would transform his life. While studying for a masters degree in computer science, he began working with clay, making functional and decorative pieces. He loved the cool, slick texture of clay and the pleasure of working with his hands, eventually making pottery h…
  continue reading
 
In this special holiday episode, Isabella interviews a variety of individuals who helped plan and who attended Gathered at Gressenhall, a special textile takeover day at Gressenhall Farm and Workhouse, which took place on 29 September 2024. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a we…
  continue reading
 
When colonists first left Spain for what became Mexico and the American Southwest in 1598, they came with the continent’s first wool sheep. These weren’t the famed finewool Spanish Merinos—export of those was punishable by death—but rougher multipurpose Churra sheep. With simple tools, men sheared the sheep, women spindle-spun wool yarn, and men wo…
  continue reading
 
As a knitter in a new place, Irene Waggener looks for knitting as she explores. Not all of the countries where she finds herself have robust yarn-shop networks and textile tourism, so sometimes she needs to get creative in her search. During a three-year stint in Morocco, her first glimpse of knitting was in the back of a local museum, where a stri…
  continue reading
 
In 1974, two young industrial designers in the Netherlands started a company making spinning wheels. Beginning in a family member’s chicken coop, they built a modern wheel featuring an upright castle-style format, a then-uncommon bobbin-lead drive system, and a drive wheel without spokes. Jan Louët Feisser and Clemens Claessen named their company L…
  continue reading
 
In this episode, Isabella interviews Dr Seth Rockman, associate professor of history at Brown University, about his new book Plantation Goods: A Material History of American Slavery. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.…
  continue reading
 
The Nettle Dress is available to stream online from November 15–December 2, 2024. Most of us avoid nettles, thinking of them as weeds whose little stinging hairs can inject a painful toxin into the unexpecting walker. But strolling through the woods near his home in England, Allan Brown was captivated by the tall native plants. Knowing that textile…
  continue reading
 
Melvenea Hodges nurtures a small crop of cotton in her back yard in South Bend, Indiana. Besides beautiful foliage and some of her favorite fiber to spin, she tends her plants to celebrate what she can create with her own hands—not just beautiful textiles but a connection to her heritage and a source of peace. As a primary school teacher, her worki…
  continue reading
 
In this episode, Isabella interviews Sarah Brokenborough, a PhD student at Tulane University, about her master's dissertation entitled "What’s the Use?: A Comparison of Needlework Samples Made By Free, Freed, and Enslaved Schoolgirls in the Early Nineteenth-Century Atlantic World." Images and sources are available at @sewwhatpodcast on Twitter, Ins…
  continue reading
 
Exploring the textile traditions of her Scandinavian ancestors, supporting Indigenous Andean weavers in preserving their traditions, or producing material for contemporary fiber artists, Anita finds connection between makers. From hygge to the trendy Scandi Style, the design influence of Scandiavian countries has never been more popular. But beneat…
  continue reading
 
When you picture lace, what comes to mind: an old-fashioned once-white piece of Victorian embellishment? The elegant, possibly itchy decoration on a wedding gown? If you are a needleworker, you might picture an array of bobbins leashed to a cluster of pins and arrayed on a pillow, or a tatting shuttle, or a steel crochet hook. All of these images w…
  continue reading
 
In this episode, Isabella interviews three people from Fine Cell Work, a British charity that runs rehabilitation projects in prisons by training prisoners in paid, skilled needlework. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.…
  continue reading
 
Nanne Kennedy has her feet firmly planted in the soil of midcoast Maine. Growing up on a farm near the ocean, she could smell the salt air and small local factories, and she started saving in her “future farm fund” when she was 12. Eminently practical, she looked for ways that her farm could make her a living. “I'm a New England Yankee, and self re…
  continue reading
 
When Knit Picks was founded by husband and wife team Kelly and Bob Petkun in 2002, the company began with a mail-order catalog and soon added online purchasing. Buying yarn online seemed both strange and inevitable: knitters began choosing yarns that they could only see onscreen, in the early days of functional search engines, at a time when many p…
  continue reading
 
Laverne Waddington discovered weaving by accident—bike accident, to be precise. Recuperating from a mountain biking crash in Utah, she discovered a book on Navajo weaving and was immediately intrigued. A local exhibit of Diné textiles enthralled her, and she set about learning to weave in the Navajo style. Returning to Patagonia, where she had been…
  continue reading
 
In this episode, Isabella interviews writer, historian, teacher, and lifelong mender Kate Sekules about the history and importance of mending and darning. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.By Isabella Rosner
  continue reading
 
Embrace the potential of your phone’s camera, choose indirect lighting (not a flash) to show texture, and get your knits off the ground—these are just a few pieces of Gale Zucker’s advice for how to take knitting photos you love. Whether she’s shooting in a studio or a barnyard, Gale uses her camera to bring her subjects to life. Gale grew up in a …
  continue reading
 
Have you ever opened a book or seen a photograph and thought to yourself, “I have to learn to do that”? When Emily Lymm first fell in love with knitting, she wondered casually if she could turn her passion for fiber arts into a profession. Not seeing many successful pathways to a career in knitting, she continued as a graphic designer. She loved th…
  continue reading
 
Tommye McClure Scanlin had a choice. To make the images she wanted to create with weaving, she could either pursue complex forms of weaving that rely on dobby, jacquard, and draw-loom technology—or she could go the other way and place every color and pick by hand using tapestry techniques and a very simple loom. Preferring a drawing pencil to a cal…
  continue reading
 
Indigo is a unique dyestuff, no less so for being found in so many different plants. Coaxing the blue hue out of green leaves and onto yarn or cloth requires a combination of chemistry and skill that has arisen across the globe. Rowland and Chinami Ricketts each found their own way to indigo in Tokushima, Japan: Rowland was looking for a sustainabl…
  continue reading
 
Andrew Wells is the third generation of the iconic American yarn manufacturer Brown Sheep Company. Living near the family business outside Scotts Bluff, Nebraska, he grew up giving tours and sweeping the floors when his parents, Peggy and Robert Wells, ran the business. His grandfather, Harlan Brown, had been a sheep and lamb farmer before deciding…
  continue reading
 
Working together in a Philadelphia yarn store, Kate Gagnon Osborn and Courtney Kelley learned how to help customers choose the right yarn for a project, welcome in timid new knitters, and create samples to help move yarn out the door. They learned what didn’t work (donut-shaped balls of yarn that hopped off the shelves and tangled, patterns that us…
  continue reading
 
If you knit, spin, sew, weave, or follow any crafty pursuit, you will not be surprised that many of our most common metaphors come from textiles. They are interwoven in our vocabulary, and whether you like to spin a yarn from words or fibers, you will recognize many of them. But then there are the words whose textile roots are less obvious: Rocket.…
  continue reading
 
When Jen Simonic and Masey Kaplan’s friend lost her mother, she had the challenge of going through her mother’s things while grieving her loss. Among her posessions was something almost every crafter has at least one of: a work in progress. Jen and Masey had each finished projects for bereaved family members before, but neither of them could take o…
  continue reading
 
A career professional at Levi Strauss & Company, Eileen Lee learned about dyeing, weaving, and sewing on an international scale: giant factories full of loud looms weaving 2/2 twill, pattern pieces cut out of four-foot-high stacks of cloth, and no possibility of adding a tuck here or a dart there without retooling. During her years in the industry,…
  continue reading
 
Lilly Marsh creates blankets, shawls, and other cloth, almost exclusively from local wool. Working closely with farmers and the nearby Battenkill Fiber Mill, she gets to know not only her neighbors but the fibers they grow: the surprisingly lovely wool from East Friesian sheep raised to produce milk, the springy Dorset crosses that are popular in t…
  continue reading
 
The call of complexity draws some weavers to more shafts, more structures, more hand-manipulated techniques. For Annie MacHale, refining the techniques and celebrating the artistry of very simple bands has been a lifelong fascination. Starting when she first picked up a shuttle and inkle loom in her teens, Annie has worked in wool, cotton, and hemp…
  continue reading
 
“Rule number one: Never drink the dye bath.” Indigo and cochineal may be the most widely recognized natural dyes for many fiber artists, and there’s little temptation of sampling an indigo vat or pot of ground insects. But a simmering kettle of dye mushrooms or lichens? That might smell delicious, but if you’re in a class with Alissa Allen, it’s no…
  continue reading
 
In this episode, Isabella interviews Maya Wassell Smith, assistant curator of art at the National Maritime Museum and a PhD student at Cardiff University. The two discuss naval embroidery in all of its forms. Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.…
  continue reading
 
In a period when agriculture moved toward chemicals, genetic engineering, and monoculture, Sally Fox decided to explore what could happen if she collaborated with nature instead of fighting it. With an academic background in entomology, she studied ways to minimize the amount of pesticides needed to grow crops, and the more she saw the effects of t…
  continue reading
 
When Susan Bateman first opened Yarn Barn of Kansas in 1971, a woman starting a small business couldn’t get a credit card in her own name. Weavers like her had a hard time finding yarns, tools, and other supplies, some of which were only available from overseas, and she thought there must be an opportunity to bring fiber artists more of what they n…
  continue reading
 
Loading …
Copyright 2025 | Privacy Policy | Terms of Service | | Copyright
Listen to this show while you explore
Play