This podcast explores the wonderful, difficult, and absurd realities of being human. We aim to give good faith analysis of current events, philosophy and religion, contemporary scientific research, our struggles with existence, and anything else we find helpful or fun.
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Josh Vis Podcasts
Weird Thoughts is a comedic podcast hosted by visual artist, Josh Roupe and Hygienic-Hobbyist, Bradford Bones.
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A pluri-disciplinary institution in Berlin of visual and performative arts, music, architecture, literature and scientific discursive formats 🌊
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Josh and Chris reflect on Israel/Palestine
50:02
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50:02This is the first in a series of reflections that I will be having as I (and Chris) finish our work on Israel/Palestine with the RCA.By Josh Vis
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Camden Morgante on Recovering from Purity Culture
1:27:47
1:27:47
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1:27:47By Josh Vis
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Sunwoo Hoon: Flat Is the New Deep (2018), The Flat Is Political (2017)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Sliman Mansour: Camel of Hardship (1973), Land Day (2020), Untitled (1984), The Village Awakens (1987), Olive Picking (2021), Salma (1980), Memory of Places (2009)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Shu Lea Cheang: Red Pill (2021), Virus Becoming (2022)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Sana Shahmuradova Tanska: Danse Macabre (2024), Water Search (2024), Failed mental map (2024), Inevitable Path (2025), Negotiations (2025)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Raking Leaves: Raking Leaves (Hg.), The A to Z of Conflict (2019)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Pınar Öğrenci: Objection of the Mothers of the City (2025)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Mona Vătămanu und Florin Tudor: Mona Vătămanu und Florin Tudor in Zusammenarbeit mit Ilinca Manolache, Ornament is Crime (2025), Mona Vătămanu und Florin Tudor in Zusammenarbeit mit Dinu Bodiciu, We hope this message finds you well (2025)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/de…
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Maria Lassnig: Schafott der Eliten / Die Elite ist immer in Gefahr (1995)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Josh Kline: Wrapping Things Up (Tom Administrator) (2016), Starting Over (2016), Contagious Unemployment (Many Thanks) (2016), Desperation Dilation (2016), Unemployed Journalist (Dave) (2018), Universal Early Retirement (spots #1 & #2) (2016), Dreams with Expiration Dates (2016)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttp…
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Jane Alexander: Council with emblem (2025) bestehend aus: Monitor (2023), Representative in law enforcement jacket (2006–14), Bird in Step Out Tunic (2024), Beast (2003), Emblem (2025)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Hannah Höch: Wilder Aufbruch (1933), 1945 (1945)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Alle 15 Werke:https://www.hkw.de/programme/global-fascisms/audioguideGlobal FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Gülsün Karamustafa: Painting for poster – 1977 First of May (in that bloody celebration 36 People Lost their Lives with Gun Fire from the Police) (1977), Soldier (1976), Window (1980), Reminder (2025), Stage (1998)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/de…
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Daniel Hernández-Salazar: The Traveler (2013)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Ciprian Mureșan: Dog Luv (2009), Rhinocèros (2006)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Andrew Esiebo: Expression of Faith: Pentecostalism’s Energy and Resilience Across Borders (2006–17), Eat, Pray, Live: Lagos’s Spiritual Megalopolis (2006–17)Global FascismsAusstellung13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascisms/deBy Haus der Kulturen der Welt
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Daniel Hernández-Salazar: The Traveler (2013)Global FascismsExhibition13.9.–7.12.2025Haus der Kulturen der Welthttps://hkw.de/globalfascismsBy Haus der Kulturen der Welt
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We briefly discuss Gaza and then turn to Ann’s history with the church and Christianity. Ann and I are in different places with Christianity and the church. Ann still has affection and hope. I have mostly skepticism. Does liberal Christianity have any chance against conservative Christianity, which we both see as dangerous?…
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By Josh Vis
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Wem gehört Deutschland? Episode 5: Max Czollek, mit Raphaëlle Red und Ibou Diop
43:14
43:14
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43:14Wem gehört Deutschland? Episode 5: Max Czollek, mit Raphaëlle Red und Ibou Diop by Haus der Kulturen der WeltBy Haus der Kulturen der Welt
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Wem gehört Deutschland? Episode 4: Max Czollek und Kelly Laubinger
26:53
26:53
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26:53Wem gehört Deutschland? Episode 4: Max Czollek und Kelly Laubinger by Haus der Kulturen der WeltBy Haus der Kulturen der Welt
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Wem gehört Deutschland? Episode 3: Max Czollek und Sasha Marianna Salzmann
33:59
33:59
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33:59Podcast: Wem gehört Deutschland? Episode 3/8www.hkw.de/programme/heimaten/…gehoert-deutschlandBy Haus der Kulturen der Welt
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Wem gehört Deutschland? Episode 2: Max Czollek und Sergej Prokopin
31:26
31:26
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31:26Podcast: Wem gehört Deutschland? Episode 2/8https://www.hkw.de/programme/heimaten/wem-gehoert-deutschlandBy Haus der Kulturen der Welt
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Cynthia shares her life experience as a Latina who grew up in Holland, MI in the 1980s and 1990s, and her experience making a film about the Latino experience in Holland in the 2020s.By Josh Vis
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Action, Contemplation, and Resilience with Josh and Chris
1:23:01
1:23:01
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1:23:01Lessons on recognizing and fighting tyranny from the likes of Timothy Snyder, Valarie Kaur, Ezra Klein, and moreBy Josh Vis
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Wem gehört Deutschland? Episode 1: Max Czollek und Naika Foroutan
39:13
39:13
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39:13Podcast: Wem gehört Deutschland? Episode 1/8 https://www.hkw.de/programme/wem-gehoert-deutschland-podcastBy Haus der Kulturen der Welt
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Flourishing after Religion, with Daryl and Sara Van Tongeren
1:20:24
1:20:24
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1:20:24By Josh Vis
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By Josh Vis
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By Josh Vis
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By Josh Vis
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Chapter 3: Sound is a Matter of the Imagination | Cosmic Awakening
22:11
22:11
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22:11If truth is stranger than fiction, why shouldn’t music be stranger than science fiction? Sounds manipulate space and time, unlock new dimensions and open wormholes in parallel universes. In this respect, sonic fiction does the same as fantasy literature: It distorts the present and creates space for alternative worlds. Speakers: Sarj Lynch, Sasha P…
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Schlechte Wörter / Bad Words Live Performance
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0:45
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0:452.11.2022 im HKW: 18.30h Einlass, 19h Manuel or A Hint of Evil, 20h Pause, 20.30h Schlechte Wörter„Bei Nacht leben, heißt mit dem Ohr leben, und das Auge wird folgen.“– Etel AdnanAusgehend von verschiedenen Texten, schafft die Audioserie Schlechte Wörter einen Ort für ein anderes Sprechen über Sprache und Literatur, für die Annäherung an ein neues …
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Chapter 2: How Loud is the Sun | Cosmic Awakening
18:15
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18:15In the approach to Jupiter, the sun can be heard singing. But apart from the soundscapes on neighboring planets or in black holes, according to probability theory there is also extraterrestrial music. Science fiction literature has made it possible to understand how it might sound: a cacophony of smells or a symphony of free energy flows. Speakers:…
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Chapter 1: In Space No One Can Hear You Scream | Cosmic Awakening
15:21
15:21
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15:21The slogan used to advertise Ridley Scott’s science fiction film “Alien” is nothing more than a statement of fact: In space, no one can hear you scream. But isn’t the idea of sound everywhere in space, which is permeated to the last corner by cosmic background radiation, like an echo of the Big Bang?Speakers: Sarj Lynch, Sasha Perera. Editing and p…
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„Ich bitte euch, heute Nacht nicht zu schlafen.“ Nachdem die erste Staffel von Ilse Aichingers titelgebenden Essay Schlechte Wörter und ihrer widerständigen Poetik ausging, führt Etel Adnans Bei Nacht leben in die Dunkelheit. Zwischen dem revolutionären Potential des Wachbleibens und den umhüllenden Qualitäten der Nacht, verhandelt die zweite Staff…
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Club culture is a global phenomenon, but usually only a few centers are in the focus of general perceptions. What challenges do protagonists face away from the big cities? What conditions shape dance floors and their social contexts there? In “Shaping Dance Floors, Locally,” organizers and club activists from small German towns talk about how they …
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Episode 16: Rajkamal Kahlon | The White West: Whose Universal?
55:41
55:41
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55:41The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …
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Cinema and Everyday Resistance | No Master Territories
1:02:19
1:02:19
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1:02:19What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …
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Stories from the Mud | Wassermusik: Mississippi
32:46
32:46
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32:46The Mississippi River traverses the United States for 2,350 miles from Lake Itasca in Minnesota to the Gulf of Mexico as a route of migration, trade, exploitation, and cultural exchange. The musicians Swamp Dogg, Donald Harrison, Leyla McCalla and Logan Schutts explain how influences from West Africa and the Caribbean find new forms in places like …
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Documentary Film and Feminist Activism in India | No Master Territories
1:03:36
1:03:36
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1:03:36What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …
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Sounds from the Swamps | Wassermusik: Mississippi
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24:36Alluvial soil and sediments of large parts of the USA are deposited on the southern banks of the Mississippi. In the opposite direction, from the mouth of the river and its delta, cultural riches were brought north and from there to the entire world: the globally understood languages of blues, jazz, rock ‘n’ roll and soul. The musicians Swamp Dogg,…
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The Pornographic Imaginary | No Master Territories
56:52
56:52
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56:52What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …
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Women’s Nonfiction in Peru | No Master Territories
41:42
41:42
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41:42What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …
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Episode 15: Utsa Patnaik, Prabhat Patnaik | The White West: Whose Universal?
1:17:44
1:17:44
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1:17:44The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …
…
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„Ich bitte euch, heute Nacht nicht zu schlafen.“ Nachdem die erste Staffel von Ilse Aichingers titelgebenden Essay Schlechte Wörter und ihrer widerständigen Poetik ausging, führt Etel Adnans Bei Nacht leben in die Dunkelheit. Zwischen dem revolutionären Potential des Wachbleibens und den umhüllenden Qualitäten der Nacht, verhandelt die zweite Staff…
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„Ich bitte euch, heute Nacht nicht zu schlafen.“ Nachdem die erste Staffel von Ilse Aichingers titelgebenden Essay Schlechte Wörter und ihrer widerständigen Poetik ausging, führt Etel Adnans Bei Nacht leben in die Dunkelheit. Zwischen dem revolutionären Potential des Wachbleibens und den umhüllenden Qualitäten der Nacht, verhandelt die zweite Staff…
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Music doesn’t only belong to humans. Whales and songbirds also hand down their songs from generation to generation. Musician David Rothenberg improvises with nightingales, biologist Tina Roeske studies their social behavior; both want to understand: Can nightingales and humans communicate with each other via sound? Can they learn from each other in…
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Architecture can be described as frozen music. For some musicians, it’s not enough to just thaw it; they want to make conventions flow. Ethnomusicologist Michael E. Veal finds new opportunities for comprehension in collapse and distortion, which he talks about in the On Music podcast episode on Living Space. Veal approaches the free jazz of John Co…
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